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A previous attendee from who attended our 'Chem Dev' Course - 'The course is interesting and informative, overall it’s been an excellent experience and I would recommend it to anyone who is new to process chemistry.' 24-26 June

📢 is present at the conference in . Come visit our booth in the exhibition area, pick up a brochure, ask questions and take an awesome picture with our SoMe props! 📸

Back in for ’s 4th consortium meeting - and we have many updates and findings to share! Keep posted in the upcoming weeks at

International Space Station will fly over from 23:32 with magnitude -3.9, elevation 88.7 degree

International Space Station will fly over from May 22 1:09 with magnitude -3.9, elevation 82.1 degree

Good 🇧🇪🇮🇪 interaction between Ministers and and other EU colleagues at the General Affairs Council this morning in . for 🇪🇺.

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Live @ in 🇧🇪 from is showcasting the next priorities from the Service Evolution R&D projects, including consistent air-sea-wave🌊 information & interactions, relation between CMEMS & coastal system and circulation models.

🎯A practical part of our 1st day training on European in of crime for the Korean delegation - a visit to 'Centre de Prévention des Violences Conjugales et Familiales' in . 🙏Big thanks to Yasmina Zaazaa for the productive training!

Join us 29 September & 30 October @ Antwerp - Crowne Plaza for our course: 'Finance For Non-Financial Managers' Language: Dutch Register NOW:

The Hotel (*****) FEHEMI BERCU has just reviewed the hotel The Hotel in Brussels - Belgium

Ultimo incontro questa sera col gruppo per salutarvi prima delle europee. Saranno con noi e . Ore 18.00 a non mancate!

RT NCP_Brussels: Are you a based company? 👉 E2Tech4Cities Brokerage Event & Day on 20 June ! 1 one day, 1 place to your , meet the attaches, find your next partner! + NCP In…

Are you a based company? 👉 E2Tech4Cities Brokerage Event & Day on 20 June ! 1 one day, 1 place to your , meet the attaches, find your next partner! + NCP Info Session!

Pour éviter toute fakenews propagée je préfère demander directement. c'est votre vraie tract ?

ESF Transnational Platform. Final Conference. Opening session: Social rights, the ESF & transnational cooperation. A very interesting panel discussion about the future of transnationality in the – at Konigin-Groen Park / Parc Reine Verte

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Welcome to #newyork ….Im actually in #munichairport But then again maybe I’m just confused. 🤷🏻‍♂️🤔 Next stop #Brussels #Belgium (at Flughafen München Terminal 2)

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Q+A with Bijoy Jain / Mumbai Studio: On His Collaboration with Maniera

In 1995, after studying and working in the United States along with notable minds like Richard Meier, Bijoy Jain returned to India and founded his own firm, Mumbai Studio. Since then, the studio has developed a body of work that references aspects of both Indian and Western cultures through its unique approach.

The studio works collaboratively with local artisans, craftspeople and draftsmen to design and build projects through an explorative creative process.

This weekend, the studio launched new furniture and objects for MANIERA in Brussels. The pieces are the result of an intense and profound material research.

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EL: We’ve often read about the importance of the notion of care and the idea of being inclusive in your design. How do these ideas concretely appear in your work?

BJ: Care and inclusivity is fundamental as a response in all things considered. The aim is to seek an expression emerging through thought, material, maker and receiver. Wherein the identity of the collective expression can transcend boundaries and free itself from locale. The pieces for Maniera strive to reflect this ethos.

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EL: You seem to have a keen interest in artifacts and for traditional techniques. Where does that come from? What do these types of practices have to teach us?

BJ: Artefacts are merely a record of an expression of a gesture. Objects or symbols as means of communication between civilisations near and far.

Nostalgia of tradition is not what interests me … it is to observe the basis of our evolution and its expression through time. If there is truly one action that best describes our tradition, it is affection. I would say this is what one seeks for in the work.

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EL: You have a specific way of doing things which includes working with teams of local artisans and taking your time to complete projects. Why is it essential to allow slowness in the process of design?

BJ: Slowness is not about the quantitative aspect of time.

When there is consideration to strive for an equilibrium in the process of design between material, man and machine, there is possibility of slowing time down. It is more about our perception, In other words making space where seemingly there is none.

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EL: At the core of your organization, collaboration and openness take a significant place. In a lecture you did, you even referred to Studio Mumbai as being closer to an art practice than to traditional architectural practice. Do you see architecture as being a process-based medium?

BJ: Architecture as a medium can be responsive in all its variables, enabling opportunity for it to be open and inclusive to the forces of nature.

The exacting image not being the pursuit, as this would render the architecture absolute.

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EL: Your projects are related to nature and environment - through the choices of materials, but also a sustainable, contextual and local approach. Do you feel like architects and designers have a responsibility regarding this matter?

BJ: Each individual is responsible for what they care about. This is not exclusive to architecture or design.

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EL: Following this idea of constructing contextually taking into account elements, nature and even energies; would you say that you have an intuitive vision of your work?

BJ: Intuition in ones work is critical. Trusting intuition through work is the practice, being observant in this method allows for learning and discovery.

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EL: What was the main idea behind the pieces you conceived for MANIERA?

BJ: The pieces for Maniera are motivated from the idea of acting on materials or things found in our immediate landscape. Made from Stone, brick, bamboo, wood, paper, thread and alloys of metal, the methods of making are rudimentary and precise using simple tools requiring the dexterity of hand, mind, body and machine. The pieces potentially can exist in geographies where water, air and light are present for their being.

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EL: Do you work differently when you create for a gallery than when it is for a specific client? What do you do differently?

BJ: The motivation to create is our only function, to explore the phenomenon of man in nature - nature in man.

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All images by Jeroen Verrecht


I Would Have Snapped Out On His Ass So Hard ASAP…🤬💥🤬💥🤬💥👊🤜👊🤜👊🤜🤛👊🤜👊🤛 Fist And Whatever I Could Find Would Be Flying Upside His Head, Any place I Could Tag The Coward. It Would Take The Good LORD Himself To Help Them Get Me Off Of Him. Racist Trash, Disgusting Behavior. I Hope Someone Did Something To Him. #WildAnimal #Thug #Terrorist #DemonicMan #PureEvil #WomanBeater #BlackWoman
Reposted from @humble_afrikann - So #Belgium find this ashkenazi NAZI real fast. Unless this is what you stand for still in 2019.
België vindt deze Ashkenazi NAZI nu. Tenzij dit is waar je in 2019 voor staat. #Brussels #Belgian #Europe #Bruge #Ghent #Waterloo #SayHisName #SayHerName #IAm_MsJohnson 💞 - #regrann

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Brussels - Galeries Royales Saint-Hubert

*****P R E M I E R E ***** BRUSSELS
This magnificent gallery, inaugurated in 1847, at the time the first commercial gallery of Europe, has a set of shops where stand out the chocolateries and cafes behind its neoclassical glass arches flanked by marble pillars and protected under the glass ceiling. At night a light show gives even more beauty to this space.